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Ambra Sans Light Italic Book Italic Regular Italic Medium Italic Bold Italic Extrabold Italic Black Italic Heavy Italic Ambra Sans Text Bold Italic Black Italic
8 styles
Ambra smart
20 styles + 1 Variable types
Full Family
Pangram
CLICK ON TEXT TO EDIT

Ambra Sans Light

apply to all

Ambra Sans Light Italic

apply to all

Ambra Sans Book

apply to all

Ambra Sans Book Italic

apply to all

Ambra Sans Regular

apply to all

Ambra Sans Italic

apply to all

Ambra Sans Medium

apply to all

Ambra Sans Medium Italic

apply to all

Ambra Sans Bold

apply to all

Ambra Sans Bold Italic

apply to all

Ambra Sans Extrabold

apply to all

Ambra Sans Extrabold Italic

apply to all

Ambra Sans Black

apply to all

Ambra Sans Black Italic

apply to all

Ambra Sans Heavy

apply to all

Ambra Sans Heavy Italic

apply to all

Ambra Sans Text Bold

apply to all

Ambra Sans Text Bold Italic

apply to all

Ambra Sans Text Black

apply to all

Ambra Sans Text Black Italic

apply to all

Weights

  • C
    Light
  • C
    Book
  • C
    Regular
  • C
    Medium
  • C
    Bold
  • C
    Extrabold
  • C
    Black
  • C
    Heavy
Designed by Francesco Canovaro Version 1.4 / released in 2023
With Andrea mario etc... ruoli etc...
Designed by Cosimo Lorenzo Pancini with Francesco Canovaro as a development and reinvention of Tarif by Andrea Tartarelli, Ambra is a humanist sans typeface family, drawn around a lively, expressive skeleton but developed with a contemporary, post-digital sensibility that implies low contrast and tall x-height. In designing Ambra, the authors wanted to research the elusive natural signature of handmade humanist letter shapes, in the effort of preserving it while still developing all the capabilities of type as a technical tool in the digital age. Like a frail insect preserved in amber, humanist design is the "ghost in the machine" of this font, that aims at seducing the viewers with its soft, welcoming text flow, firmly opposing the rigid, formal tone of most sans serif fonts. Born to provide a useful tool to graphic designers with branding and editorial needs, Ambra developes around two subfamilies with slight but fundamental differences. 

Available Formats:

Truetype, Opentype

Writing system:

Latin

Language Supported:

201 Languages  Show all Hide all
English, Spanish, Portuguese, French, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Latvian, Silesian, Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Slovio (Latin), Volapük

Features

  • fl fi
    Standard Ligatures
  • (HO!)
    Case-Sensitive Forms
  • stct
    Discretionary Ligatures
  • Vaga
    Stylistic Set 1
  • Oggi
    Stylistic Set 2
  • QKADC
    Stylistic Set 3
  • QKADC
    Stylistic Set 4
  • QKADC
    Stylistic Set 5
  • QKADC
    Stylistic Set 6
  • QKADC
    Stylistic Set 7
  • 12/23
    Fractions
  • 1a 3th
    Ordinals
  • 12360
    Lining Figures
  • 12360
    Proportional Figures
  • 12360
    Oldstyle Figures
  • 1234
    Tabular Figures
  • H123
    Denominators
  • H123
    Subscript
  • H123
    Superscript
  • H123
    Scientific Inferiors
  • H123
    Numerators
  • 120
    Slashed Zero

Variable Typefaces

Ambra Variable WeWe

Variable fonts are only available with the full family package (and might not be supported by all software)

Ambra Sans Medium
CLICK ON TEXT TO EDIT

dlig di prova 1230 Italic Underline Strocked f bolditalic underlineitalic ddd wdeded
Ambra Sans Heavy
CLICK ON TEXT TO EDIT

European languages

Ambra Sans Light
CLICK ON TEXT TO EDIT

The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.

Ambra Sans Text Bold
CLICK ON TEXT TO EDIT

The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.

A UNI41
646 Glyphs
201
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Δ Ω
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