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Mayson Arabic Regular
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ـااببب تتت ثثث ججج ح خ
ـدد ـذذ ـررـززسس ش صصص
ض ططط ظ ععع غ ففف ققق
ككك للل ممم ننن ههه ه ـوو ي
هلا سكنت بذي Mayson ضغثٍ فقد زعموا — شخصت تطلب ظبياً راح مجتازا هلا سكنت بذي Mayson ضغثٍ فقد زعموا — شخصت تطلب ظبياً راح مجتازا 
7 Styles Thin Extralight Light Regular Medium Bold Extrabold
7 styles + 1 Variable types
Full Family
Pangram
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Mayson Arabic Thin

apply to all

Mayson Arabic Extralight

apply to all

Mayson Arabic Light

apply to all

Mayson Arabic Regular

apply to all

Mayson Arabic Medium

apply to all

Mayson Arabic Bold

apply to all

Mayson Arabic Extrabold

apply to all

Weights

  • لا
    Thin
  • لا
    Extralight
  • لا
    Light
  • لا
    Regular
  • لا
    Medium
  • لا
    Bold
  • لا
    Extrabold
Designed by mist Version 1.3 / released in 2023
Mayson is a humanist sans serif designed by Francesco Canovaro as an experiment in using the texture of Arabic script as a base for creating a matching Latin alphabet. Their common thread is the reference to handmade calligraphy and the use of a flat nib instrument, informing both the fluid and graceful strokes and swooping curves of the Arabic script and the humanist open shapes of the Latin. Inspired by the rules of Arabic calligraphy, Latin letterforms adapt to some of its signature elements like sharp nib rotation angles and fluid, non-geometric shapes. To these elements, Francesco Canovaro has added a monolinear,  Show all
Mayson is a humanist sans serif designed by Francesco Canovaro as an experiment in using the texture of Arabic script as a base for creating a matching Latin alphabet. Their common thread is the reference to handmade calligraphy and the use of a flat nib instrument, informing both the fluid and graceful strokes and swooping curves of the Arabic script and the humanist open shapes of the Latin. Inspired by the rules of Arabic calligraphy, Latin letterforms adapt to some of its signature elements like sharp nib rotation angles and fluid, non-geometric shapes. To these elements, Francesco Canovaro has added a monolinear, low-contrast design principle, that paired with a wide range of weights gives the final family a bold, contemporary look, equally at home in formal business contexts and more playful, creative applications. In this balance of functionalism and human touch, Mayson manages to maintain a sense of simplicity and clarity. Mayson's letters are well-proportioned and easy to read, even at smaller sizes, making it an ideal choice for both print and digital projects. Its sleek, modern lines make it versatile and adaptable, able to easily convey various moods and messages. Overall, this typeface looks for a novel way of seamlessly blending two distinct visual languages into a cohesive and compelling whole, giving a warm, inclusive, and contemporary vibe. Its unique aesthetic will make it a favorite among designers and type enthusiasts alike.

Available Formats:

Truetype, Opentype

Writing system:

Arabic, Latin

Language Supported:

212 Languages  Show all Hide all
English, Arabic, Spanish, Portuguese, French, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Slovio (Latin), Volapük

Variable Typefaces

Mayson Arabic Variable

Variable fonts are only available with the full family package (and might not be supported by all software)

Styles

  • ب
    roman
  • ب
    Variable Roman
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European languages

Mayson Arabic Thin
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The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.

Mayson Arabic Regular
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The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.

A UNI41
1102 Glyphs
212
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