A Day Without Sun is an ultra-condensed version of Panforte, created by Cosimo Lorenzo Pancini based on the design of Debora Manetti for Panforte. Hand drawn in easy big strokes, its an extremely condensed typeface that allows you to typeset text in faux-handamade fashion, with the subtle elegance of vintage handlettered menus. Lovers of world cuisine will be delighted to discover that it supports over forty languages using the latin alphabet, spiced with hand-picked diacritics and comes also with a tasty side dish of greek and cyrillic characters.Its grungy, handmade characteristics are visible at medium and high point sizes but do not impact the effect of the font when set in text. A Day Without Sun open type features include small case characters, oldstyle numerals and a series of ligatures that help keeping the distinctive handmade look (they can be switched off by unchecking the “standard ligatures” option in your design software). A Day Without Sun includes some special ligature dingbats, accessible by typing the corresponding sequence of characters: please refer to the specimen for a guide to typing.

Advertsing Script is a brush script typeface inspired by a handmade sample drawn by the calligrapher Ross Frederic George and depicted in  Speedball 1947 Textbook  Manual. Advertsing Scripti has a vintage brush script look, perfect for food packaging, display and logo design and period advertising.

The original design has been completely reworked and extended by the Zetafonts Masterclass 2016 Team to provide three lighter weights, a rough and a monoline variant, and to produce an extended character set with open type support for ligatures, alternates, European languages and ending swashes.

Advertising Script covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics. It comes in four weights plus a special monoline weight.

Advertising Script makes full use of Open Type ligatures to provide swashes, alternates and a wide array of ligature characters for a more handmade, natural look. Swashes can be accessed through glyph palette or by typing one to six underscores after the letter.

Take care: open type features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

Tired of the hours spent calculating and drawing pie charts for your info graphics?

AMAZING INFOGRAPHICA allows you to TYPE DIRECTLY INFOGRAPHICS and CHARTS keeping them EDITABLE!
This completely FREE font TRANSFORMS DATA INTO CHARTS thanks to open type ligatures - try it and use it for all your commercial and noncommercial projects!

do you whant try a chart? use @a @b @c @p @ followd by a number!

And if you like it, try AMAZING INFOGRAPHICA PRO and all the other fonts in the AMAZING GROTESK FAMILY

Take care: All advanced features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying! 

Anaphora is a contemporary serif typeface designed by Francesco Canovaro with Cosimo Lorenzo Pancini and Andrea Tartarelli.

It features a wedge serif design with nine weights from thin to fat, each with true italics style, for a full range of editorial and advertising uses. 

Its wide counters and low x-height make it pleasant and readable at text sizes while the uncommon shapes make it strong and recognizable when used in display sizes. 
Four additional stencil weights provide options for fancy titling and logo creation.

Anaphora features an extended character set that covers over forty languages using the latin alphabet, as well as Greek and Russian Cyrillic. Open type features include small caps, four sets of figures, fractions, superior & inferior figures, alternate forms and discretionary ligatures.

Atlantica is a contemporary cursive brushscript typeface family designed by Pellisco with Cosimo Lorenzo Pancini for Zetafonts.

It comes in three variants. Atlantica Signature offers all the original letters designed by Pellisco with alternates avalaible as glyphs: it's mostly suited for display use. For text usage, Atlantica Text offers better readability by adopting a more restrained lowercase t and giving some small adjustments to the typeface. Finally, Atlantica Display offers a flamboyant logo typeface version, with multiple automatic ligatures making extreme use of open type substitutions, to transform every text in a lettering work of art.

Atlantica is the third typeface in our Signature series, offering typefaces handmade by world-famous lettering artists, designers and illustrators. 

Banana Yeti is a brush script typeface with a condensed vertical slant, inspired by a handmade sample drawn by the calligrapher Ross Frederic George and depicted in  Speedball 1947 Textbook  Manual.

Banana Yeti has a vintage brush script look, perfect for food packaging, display and logo design and period advertising.

The original design has been completely reworked and extended by the Zetafonts Masterclass 2016 Team to provide three lighter weights, and a monoline variant, as well as to produce an extended character set with open type support for ligatures, alternates, European languages and ending swashes.

Banana Yeti covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics. It comes in four weights plus a special monoline weight.

Banana Yeti makes full use of Open Type ligatures to provide swashes, arching letters and a wide array of ligature characters for a more handmade, natural look. Swashes can be accessed through glyph palette or by typing one to six underscores after the letter. Typing an underscore before a phrase creates arching text; close arch with another underscore. Variant ampersands can be accessed through glyph palette or by typing multiple ampersand characters.

Take care: open type features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

Bulletto is a bold display script font. Made for logos and headlines, it features a slight slant, connecting letterforms and a big x-height. Opentype features include ligatures, swashes, alternate finals and a full set of uppercase alternates. The complete family features Bulletto Regular and his upright version Bulletto Straight with their light companions. Plus Bulletto Alto, an italic version with taller ascenders and descenders for a more calligraphic look.

Take care: All advanced features (swashes, alternate endings & ligatures) are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

Bulletto is a bold display script font. Made for logos and headlines, it features a slight slant, connecting letterforms and a big x-height. Opentype features include ligatures, swashes, alternate finals and a full set of uppercase alternates. The complete family features Bulletto Regular and his upright version Bulletto Straight with their light companions. Plus Bulletto Alto, an italic version with taller ascenders and descenders for a more calligraphic look.

Take care: All advanced features (swashes, alternate endings & ligatures) are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying! 

Calligraphunk is an experimental typeface that mimicks polyrithmic calligraphy, by alternating two sets of lowercase letters to obtain a handwritten like typeface.

Calligraphunk powerful flow is perfect for logo design and display use; the family comprises a cleaner mono width font for longer text blocks.

Calligraphunk covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics. 

Calligraphunk makes full use of Open Type substitutions to create its peculiar handmade look. Take care: open type features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

Coco Gothic is a contemporary take on the retro geometric sans serif style of early XX century typefaces like Futura and Avantgarde. The cold, geometric shapes typical of those modernism typefaces have been made softer and more contemporary by visual corrections and slightly rounded corners and a minimalistic design feel. The name of the typeface family comes from the nickname of fashion beloved icon Coco Chanel.

It comes in six weights with matching italics and features an extended character set with open type support for small caps, ligatures, alternates, European languages, Greek and Cyrillic alphabets. In 2017 a revised version was released, including 12 alternate and 12 smallcaps weights for a total of 36 fonts ready to solve your design problems.

Equipped with a rich array of historical variants, Coco Gothic is also an encyclopedia of styles from the last century, ready to transform itself and adapt to the mood of your text. You can check a visual presentation of this type family on our Behance Coco Gothic Page.

Please notice: All advanced features (small caps, alternate sets & ligatures) are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Historical variants included only for uppercase letters, and avalaible in Indesign / Photoshop through stylistic sets and in illustrator through Glyph Window. Download trial version and check your configuration before buying.

COCOBIKER is a typeface variant from the COCO GOTHIC family.  It’s inspired by contemporary grotesque typefaces, with a runic mood, geometric proportions and ultraconnected geometry. A sans serif font dedicated to hipster culture and bike lovers, it has been designed as a display Small Caps typeface, but it’s still readable in text blocks.

It comes in five weights and features an extended character set with support for European languages, Greek and Cyrillic alphabets, and open type support for ligatures, and special dingbats and symbols.

COCOMAT is a typeface variant from the COCO GOTHIC family of sans serif geometric typefaces. It’s inspired by the style of the twenties and the visions of italian futurists like Fortunato Depero, Giacomo Balla and Antonio Sant’Elia. It’s a typeface about the future as imagined in a period of great faith in technology and progress. It comes in five weights and features an extended character set with open type support for small caps, ligatures, European languages, Greek and Cyrillic alphabets.

COCOSIGNUM takes inspiration from the typography of the italian thirties.

The imperial uppercase with its propaganda deco overtones is softened by a cursive lowercase geometric script in the Corsivo Italico version.

It comes in two styles and five weights, covering over forty languages using latin alphabet, as well as greek and cyrillic.

Cocotte is a small caps sans serif display typeface inspired by the graphic style of early art nouveau. It comes in three weights with matching italics and features a regular style, inspired by arts&crafts and geometric jugendstil, and an alternate style more reminescent of french and italian art nouveau.

Cocotte and Cocotte Alternates are the 1900 and 1910 versions of the Coco Gothic typeface family, a contemporary geometric sans serif typeface with slightly rounded corners featuring historical versions for each decade of the last century: an encyclopedia of styles ready to transform itself and adapt to the mood of your text. Cocotte features an extended character set with support for over forty European languages and Greek and Cyrillic alphabets.

Hello Script is a high contrast calligraphic script designed by Cosimo Lorenzo Pancini, featuring monoline swashes and terminals and strong, round body shapes designed with a parallel nib. It covers over 40 languages that use the Latin alphabet, with full range of accents and diacritics, and comes with over ten different swashes and two decorative fill typefaces (Hello Script Fill and Hello Script Striped Fill) to use as multilayer colour fonts.

The Hello family features a sans serif companion (Hello Sans) as well as a christmas-themed version (Hello Christmas) with a set of Icons (Hello Christmas Icons, designed by Cristiana Pezzatini), both featuring multilayer color fill.

Please Notice: Hello Script makes full use of Open Type substitutions to avoid letter clashes in uppercase and provide ligature, alternate and end characters. Ending forms can be accessed through openscript by typing an underscore after the letter, while multiple hypens before and after a word provide additional flourishes. Some advanced features (alternate endings & ligatures) are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

Older versions: Older, number-less versions for multi-size screen composing (Hello Script Large Size, Hello Script Small Size, Hello Script XXsmall Size) have been discontinued and are provided in the compatilbility pack to Hello Script. 

Designed by Cosimo Lorenzo Pancini and Andrea Tartarelli, Kabrio is a sans serif typeface for the lovers of minimal design, high speed and great curves. Quick, efficent and great looking like a sports car on the winding roads of the French Riviera, Kabrio has been expertly crafted in Italy with a striking bodywork and finley tuned design details. Try it for a test-drive and enjoy the sheer pleasure of the Kabrio experience.

Kabrio features four different corner treatments to offer variation in display and logo use: the "alternate" variant features slightly rounded corners, that become even more round in the "soft" variant. "Abarth" features cut corner for a more mechanical, cold look. Each variant comes in seven weights with matching italics, for a grand total of 56 weights to add to your typographic palettes. All Kabrio weights feature an extended character set with accents to cover over forty european languages as well as russian and bulgarian cyrillc.
Open type features include stylistic alternates and a wide arrange of numerals (oldstyle, tabular, tabular oldstyle, superior, inferior, fractions) to allow you maximum flexibility to use Kabrio in number-heavy documents: spreadsheets, tables, timetables.

The letterforms that we now accept as the historical standard for printing latin alphabets were developed in Italy around the end of 1400. Deriving from Roman capitals and from italic handwriting, they soon replaced the blackletter letterforms that were used a few decades before by the first moveable type printers like Gutenberg. Keratine, designed by Cosimo Lorenzo Pancini, exists in a space between these two traditions, mixing the proportion of humanistic writing with the strong slabs and fractured handwriting of gothic calligraphy. At small point size it keeps it readability while it shows all its strong personality when used in big point size. Like our Kitsch by Francesco Canovaro it explores the impossible territory between antiqua and blackletter, not as a mere historical research, but rather as a way to re-discover and empower an unexpected and contemporary dynamism - resonating with today’s brutalist typographic taste.

Kitten is a multi weight script family with a signpainter aestethic and a wide range of variants, alternates and ligatures designed by Cosimo Lorenzo Pancini, with cat dingbats designed by Isabella Ahmadzadeh. Kitten curvy, bold shapes in the regular weight are perfect for logo design and display use, while the clean lighter weights, as well as the Monoline and the condensed Slant variant, are perfect for longer text blocks.

Kitten covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics. It comes in five weights and has three style variants: Regular, Slant and Swash.

Kitten makes full use of Open Type ligatures to avoid letter clashes in uppercase and provide alternates and a wide array of ligature characters for a more handmade, natural look. Swashes can be accessed through glyph palette or by typing one to six underscores after the letter. A space followed by one to eight underscores produces different cat silouhettes.

Take care: open type features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

Morbodoni is a contemporary redesign of the ultrafat bodni typefaces. It features rounded corners and slightly fatter serifs that allow for lower contrast, better web rendering and a softer look. It's part of the Fonticio Typeface Family, designed to provide a serif typeface with display capabilities but good text rendering both offline and online.

Created as an Exquisite Corpse by the Zetafonts team with guest designer Francesco Cavalli (Leftloft), this character set was assembled as the perfect font for blackmailing and hate mail. Write your worst thoughts in a cute way, blame heartless lovers and bossy coworkers, express your malice with style.

Studio Gothic is a geometric sans typeface designed by Andrea Tartarelli of Zetafonts with Cosimo Lorenzo Pancini and Francesco Canovaro.

It takes inspiration from the ideas used by Alessandro Butti for his historical typeface Semplicità created in the thirties at the Studio Artistico of Fonderia Caratteri Nebiolo in Turin. In his design Butti reintepreted the modernist proportions of Futura while adding many original touches, creating a typeface that knew some success in the thirties and forties.

More a reinvention than a revival, Studio Gothic keeps the minimal and bare design logic of the original typeface (Semplcità in italian meaning simplicity) while proposing many original takes on letter shapes and proportions, with the aim to create a typeface that looks classic but unexpected, slightly modernist but still contemporary and fresh. These principles have been used also in the design of the companion italics, featuring slight calligraphic elements and making the italic weights suitable for display and logo usage. These same elements have been incorporated in the Studio Gothic Alternate family, giving you additional options to experiment with letter shapes and moods.

Each of Studio Gothic variant features a range of eight weights from thin to fat, coverage of over forty languages using the latin alphabet plus greek and cyrillic and a wide array of open type features. 

Targa is a highly readable, condensed sans-serif font inspired by Italian vehicle registration plates.
It has an handmade version (Targa Hand) that can be used for comic books lettering. Targa is a highly readable, condensed sans-serif font inspired by Italian vehicle registration plates. It has an handmade version (Targa Hand) that can be used for comic books lettering.

Zerocalcare is a typeface family created for the branding of Lucca Comics & Games Festival 2016. It's based on the digitised handwriting of italian comic artist Zerocalcare, and it uses open type substitutions to mimick the flow of real handwriting. The family has been released under creative commons attribution noncommercial license and it is free for use for any personal, noncommercial project.

Please notice that commercial usage is not allowed for any project originating in Italy or having Italy as a primary consumer market.