A Day Without Sun is an ultra-condensed version of Panforte, created by Cosimo Lorenzo Pancini based on the design of Debora Manetti for Panforte. Hand drawn in easy big strokes, its an extremely condensed typeface that allows you to typeset text in faux-handamade fashion, with the subtle elegance of vintage handlettered menus. Lovers of world cuisine will be delighted to discover that it supports over forty languages using the latin alphabet, [...] A Day Without Sun is an ultra-condensed version of Panforte, created by Cosimo Lorenzo Pancini based on the design of Debora Manetti for Panforte. Hand drawn in easy big strokes, its an extremely condensed typeface that allows you to typeset text in faux-handamade fashion, with the subtle elegance of vintage handlettered menus. Lovers of world cuisine will be delighted to discover that it supports over forty languages using the latin alphabet, spiced with hand-picked diacritics and comes also with a tasty side dish of greek and cyrillic characters.Its grungy, handmade characteristics are visible at medium and high point sizes but do not impact the effect of the font when set in text. A Day Without Sun open type features include small case characters, oldstyle numerals and a series of ligatures that help keeping the distinctive handmade look (they can be switched off by unchecking the “standard ligatures” option in your design software). A Day Without Sun includes some special ligature dingbats, accessible by typing the corresponding sequence of characters: please refer to the specimen for a guide to typing.  

Aliens and Cows is an ultra condensed sans serif display typeface designed by Francesco Canovaro. Inspired by the title cards of 1980's science fiction movies, it features thin letterforms with a ultra wide spacing - perfect for minimal logo design and editorial display use. It features sci-fi themed alternates as well a set of lined small caps and word ligatures, and covers over forty languages using the latin alphabet as well as greek and [...] Aliens and Cows is an ultra condensed sans serif display typeface designed by Francesco Canovaro. Inspired by the title cards of 1980's science fiction movies, it features thin letterforms with a ultra wide spacing - perfect for minimal logo design and editorial display use. It features sci-fi themed alternates as well a set of lined small caps and word ligatures, and covers over forty languages using the latin alphabet as well as greek and cyrillic.

Amazing Grotesk is a semi slab serif typeface family designed by Cosimo Lorenzo Pancini developing an original logo created by Francesco Canovaro. It's a typeface designed to embody the characteristics of the startup scene: a feeling of innovation, information and energy, with a desire for simplicity and straightforward communication. The basic design shapes for the font come from the strong personality of the ultra heavy characters drawn by [...] Amazing Grotesk is a semi slab serif typeface family designed by Cosimo Lorenzo Pancini developing an original logo created by Francesco Canovaro. It's a typeface designed to embody the characteristics of the startup scene: a feeling of innovation, information and energy, with a desire for simplicity and straightforward communication. The basic design shapes for the font come from the strong personality of the ultra heavy characters drawn by Francesco Canovaro. The basic shape has a modernist logic with slight calligraphic variations like the tail of the j, of the l and the hectic k. Uppercase letters are drawn with a slab serif look, as the font is thought to work better in upper/ lowercase combinations. The family comprises 4 weights from light to ultra with an italic version. Lighter weights were developed keeping the width of the character consistent and adding length to the slab serif. Amazing Grotesk covers over 40 languages that use the Latin alphabet, with full range of accents and diacritics, and features full cyrillic and greek alphabets The Amazing Grotesk includes the free font Amazing Infographics, a font designed to make information graphics easier to design.Through use of opentype letter substitutions, it can transform sequences of numeric characters into corresponding pie and bar charts, as well as male and female icons. The "@" character is used as a wildcard for the special sequences: following it with a "p", for example, and a number from 1 to 100 will display the corresponding pie chart. In this way, infographics can be kept editable at any moment without having to use graphic design software. Also, Amazing Infographics can be used with font face technology on the web  o display charts that are both scalable and easily changed in realtime through dynamic html5.

Anaphora is a contemporary serif typeface designed by Francesco Canovaro with Cosimo Lorenzo Pancini and Andrea Tartarelli. [...] Anaphora is a contemporary serif typeface designed by Francesco Canovaro with Cosimo Lorenzo Pancini and Andrea Tartarelli. It features a wedge serif design with nine weights from thin to fat, each with true italics style, for a full range of editorial and advertising uses.  Its wide counters and low x-height make it pleasant and readable at text sizes while the uncommon shapes make it strong and recognizable when used in display sizes. Four additional stencil weights provide options for fancy titling and logo creation. Anaphora features an extended character set that covers over forty languages using the latin alphabet, as well as Greek and Russian Cyrillic. Open type features include small caps, four sets of figures, fractions, superior & inferior figures, alternate forms and discretionary ligatures.

Another Shabby is a script typeface family designed by Francesco Canovaro for Zetanfonts. [...] Another Shabby is a script typeface family designed by Francesco Canovaro for Zetanfonts. Its shapes are defined by rough, wide brushstrokes, slightly rounded in corners to mimic the feel of a real handwritten casual script. Another Wet Shabby covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics. The full family comes in four weights. The Raw and Wet versions allow you to create watercolor-textured and multilayered color images without having to resort to photo-retouch software. All characters are texturized for a watercolour (another wet shabby) or a chalk (another raw shabby) effect. Take care: the textured typeface is very processor intensive and should not be used for long text blocks. Previewing in MacOs and Windows may take some time or freeze your system temporarily. Try before buying!

Another Shabby Cyrillic is the extended version of Another Shabby, a script typeface family designed by Francesco Canovaro for Zetanfonts. Its shapes are defined by rough, wide brushstrokes, slightly rounded in corners to mimic the feel of a real handwritten casual script. [...] Another Shabby Cyrillic is the extended version of Another Shabby, a script typeface family designed by Francesco Canovaro for Zetanfonts. Its shapes are defined by rough, wide brushstrokes, slightly rounded in corners to mimic the feel of a real handwritten casual script. Another Shabby Cyrillic covers over 70 languages that use the Latin, Greek and Russian cyrillic alphabet, with a full range of accents and diacritics. The full family comes in four weights. The Wet version of the basic Another Shabby allows you to create watercolor-textured and multilayered color images without having to resort to photo-retouch software. All characters are texturized for a watercolour effect. Take care: the textured typeface is very processor intensive and should not be used for long text blocks. Previewing in MacOs and Windows may take some time or freeze your system temporarily. Try before buying!

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Codec (Warm/Cold) has been expanded and renamed to Codec Pro. Codec typeface is not supported more from Dicember 2019.

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Aristotelica is a sans serif rounded geometric type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli developing the original philosophy of one of the classic and best-selling Zetafonts typefaces, Arista by Francesco Canovaro. [...] Aristotelica is a sans serif rounded geometric type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli developing the original philosophy of one of the classic and best-selling Zetafonts typefaces, Arista by Francesco Canovaro. Conceived as an exercise in restraint and simplicity, Aristotelica is typographic eulogy to the simple beauty of circular shapes. It shows its strengths mostly in display uses and logo design, with a palette of moods ranging from the stark elegance of the uppercase hairline weights to the playful softness of the lowercase bold weights.  All Aristotelica fonts include Greek and Cyrillic alphabets as well as an extended range of latin characters, covering over forty languages. Open type features includes stylistic alternates, old style and lining figures and small caps.  A text variant, Aristotelica Text has been developed for seven out of the eight display weights, applying slight corrections to design and metrics to allow for better legibility in paragraph text. The family is further enriched by the inclusion of Aristotelica Icons, a set of matching variable-width monoline icons that can be used to faultlessly match the typeface line width.

Arturo is a sans serif family designed by Francesco Canovaro as part of his research in the digital reinvention of handmade brush lettering. [...] Arturo is a sans serif family designed by Francesco Canovaro as part of his research in the digital reinvention of handmade brush lettering. Marrying a fun, playful approach to letterforms to the versatility of a text family with multiple weights and advanced features, Arturo comes in seven weights with matching italics, and sports a wide array of OpenType features including stylistic alternates, small caps and discretionary ligatures (providing options for display usage and fine-tuning in logo design) as well as more offbeat features as ordinals, superior and inferior numerals, tabular, lining and oldstyle figures and OpenType-generated fractions.  The family is complemented with a outline version that can be used on its own or together with the heavy weight  for multilayer color font inventions.

Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design, inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical [...] Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design, inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy, which has been dealing with for centuries with fixed space grids.  The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. With a design mixing the expansion principles of the brush with the sharp technicality of typewriter and system fonts, Bakemono can both excel at text size in its regular widths optimized for legibility as well as owning the page at display size with its uncommon design details. Bakemono reflects its multicultural nature with its extended latin + cyrillic charset, soon to be expanded with Bakemono Arabic (exploring the fascinating world of monospaced arabic script) and Bakemono Kana (our first experiment in cjk scripts).  The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. With a design mixing the expansion principles of the brush with the sharp technicality of typewriter and system fonts, Bakemono can both excel at text size in its regular widths optimized for legibility as well as owning the page at display size with its uncommon design details. Bakemono reflects its multicultural nature with its extended latin + cyrillic charset, soon to be expanded with Bakemono Arabic (exploring the fascinating world of monospaced arabic script) and Bakemono Kana (our first experiment in cjk scripts). 

Bimbo is essentially a display font, born for minimal lettering and logos, with a handwritten sensibility enhanced by the built-in letter swapping open type feature that makes sure double letters are always different one from another. 

Cinematografica is an Ultra Condensed Small Caps typeface created by Francesco Canovaro, developing his previous "Aliens & Cows" Typeface and used in the advertising campaign for Lucca Comics 2017 Festival. The family features seven weights from thin to heavy with open type alternate glyphs and some full word ligatures (accessible by typing an underscore after words like "and", "or", "the"). Cinematografica extra narrow width allow for extreme [...] Cinematografica is an Ultra Condensed Small Caps typeface created by Francesco Canovaro, developing his previous "Aliens & Cows" Typeface and used in the advertising campaign for Lucca Comics 2017 Festival. The family features seven weights from thin to heavy with open type alternate glyphs and some full word ligatures (accessible by typing an underscore after words like "and", "or", "the"). Cinematografica extra narrow width allow for extreme space-saving situations like movie posters and screen infographics.

Coco Gothic is a contemporary take on the retro geometric sans serif style of early XX century typefaces like Futura and Avantgarde. The cold, geometric shapes typical of those modernism typefaces have been made softer and more contemporary by visual corrections and slightly rounded corners and a minimalistic design feel. The name of the typeface family comes from the nickname of fashion beloved icon Coco Chanel. [...] Coco Gothic is a contemporary take on the retro geometric sans serif style of early XX century typefaces like Futura and Avantgarde. The cold, geometric shapes typical of those modernism typefaces have been made softer and more contemporary by visual corrections and slightly rounded corners and a minimalistic design feel. The name of the typeface family comes from the nickname of fashion beloved icon Coco Chanel. It comes in six weights with matching italics and features an extended character set with open type support for small caps, ligatures, alternates, European languages, Greek and Cyrillic alphabets. In 2017 a revised version was released, including 12 alternate and 12 smallcaps weights for a total of 36 fonts ready to solve your design problems. Equipped with a rich array of historical variants, Coco Gothic is also an encyclopedia of styles from the last century, ready to transform itself and adapt to the mood of your text. You can check a visual presentation of this type family on our Behance Coco Gothic Page. Please notice: All advanced features (small caps, alternate sets & ligatures) are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Historical variants included only for uppercase letters, and avalaible in Indesign / Photoshop through stylistic sets and in illustrator through Glyph Window. Download trial version and check your configuration before buying.

COCOBIKER is a typeface variant from the COCO GOTHIC family.  It’s inspired by contemporary grotesque typefaces, with a runic mood, geometric proportions and ultraconnected geometry. A sans serif font dedicated to hipster culture and bike lovers, it has been designed as a display Small Caps typeface, but it’s still readable in text blocks. [...] COCOBIKER is a typeface variant from the COCO GOTHIC family.  It’s inspired by contemporary grotesque typefaces, with a runic mood, geometric proportions and ultraconnected geometry. A sans serif font dedicated to hipster culture and bike lovers, it has been designed as a display Small Caps typeface, but it’s still readable in text blocks. It comes in five weights and features an extended character set with support for European languages, Greek and Cyrillic alphabets, and open type support for ligatures, and special dingbats and symbols.      

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COCOMAT is a typeface variant from the COCO GOTHIC family of sans serif geometric typefaces. It’s inspired by the style of the twenties and the visions of italian futurists like Fortunato Depero, Giacomo Balla and Antonio Sant’Elia. It’s a typeface about the future as imagined in a period of great faith in technology and progress. It comes in five weights and features an extended character set with open type support for small caps, [...] COCOMAT is a typeface variant from the COCO GOTHIC family of sans serif geometric typefaces. It’s inspired by the style of the twenties and the visions of italian futurists like Fortunato Depero, Giacomo Balla and Antonio Sant’Elia. It’s a typeface about the future as imagined in a period of great faith in technology and progress. It comes in five weights and features an extended character set with open type support for small caps, ligatures, European languages, Greek and Cyrillic alphabets.

COCOSIGNUM takes inspiration from the typography of the italian thirties. [...] COCOSIGNUM takes inspiration from the typography of the italian thirties. The imperial uppercase with its propaganda deco overtones is softened by a cursive lowercase geometric script in the Corsivo Italico version. It comes in two styles and five weights, covering over forty languages using latin alphabet, as well as greek and cyrillic.

Cocotte is a small caps sans serif display typeface inspired by the graphic style of early art nouveau. It comes in three weights with matching italics and features a regular style, inspired by arts&crafts and geometric jugendstil, and an alternate style more reminescent of french and italian art nouveau. [...] Cocotte is a small caps sans serif display typeface inspired by the graphic style of early art nouveau. It comes in three weights with matching italics and features a regular style, inspired by arts&crafts and geometric jugendstil, and an alternate style more reminescent of french and italian art nouveau. Cocotte and Cocotte Alternates are the 1900 and 1910 versions of the Coco Gothic typeface family, a contemporary geometric sans serif typeface with slightly rounded corners featuring historical versions for each decade of the last century: an encyclopedia of styles ready to transform itself and adapt to the mood of your text. Cocotte features an extended character set with support for over forty European languages and Greek and Cyrillic alphabets.

Codec (Warm/Cold) has been expanded and renamed to Codec Pro. Codec typeface is not supported more from Dicember 2019.

Florentia is a humanist sans-serif typeface designed by Francesco Canovaro, designed developing his Beatrix Family design. Florentia takes its inspiration from the classic Roman monumental capital model of Beatrix but developes the influences derived from the stone carvings in Florence Santa Croce Cathedral into a more contemporary overall design, featuring lower X-height and an extended character set that covers over fourty languages using the [...] Florentia is a humanist sans-serif typeface designed by Francesco Canovaro, designed developing his Beatrix Family design. Florentia takes its inspiration from the classic Roman monumental capital model of Beatrix but developes the influences derived from the stone carvings in Florence Santa Croce Cathedral into a more contemporary overall design, featuring lower X-height and an extended character set that covers over fourty languages using the latin alphabet, as well as Greek and Russian Cyrillic.

na tappa obbligatoria per i surfisti di tutto il mondo, una sorta di rituale di passaggio. Grazie agli adrenalinici reef break, ai paesaggi mozzafiato e all’accogliente popolazione balinese, l’Isola degli Dei è diventata l’epicentro del surf in Asia. Il surfista balinese Tipi Jabrik, 

Heading Pro is a typeface family designed by Francesco Canovaro for Zetafonts. [...] Heading Pro is a typeface family designed by Francesco Canovaro for Zetafonts. The original design has been expanded and developed by the Zetafonts Team (Andrea Tartarelli, Cosimo Lorenzo Pancini, Chiara Ghezzi) in a full type system of 146 variants.   Built around 8 different widths from ultra-compressed to ultra-wide and nine weights from thin to black, Heading Pro provides a wide spectrum of sans serif type solutions to your design problems. Born as a space optimizing typeface for headers and titles, Heading Pro can be used in its ultra-compressed, compressed and normal widths to optimize space on the printed page and on the screen. In these widths Heading Pro excels in titles and subheadings, timetables, name and credit lists and cases of exuberant and excessive copywriting.    Heading Wide and Heading Ultra-Wide are extended width variants that have been added to the original family to be used for titling where style and raw energy matter more than pixel or paper economy. Still keeping the original design of Heading, with a (post) modernist attention to readability and detail, the wide sizes allow you to write strong headlines and play with subheadings and short text blocks. Accompanying italics can provide you with versatility in text use as well as a viable display alternate for bolder weights, with a strong sport/energy feel.   But Heading family is not only made for extreme widths: the original condensed family has been complemented with a range of three medium width variants: Heading Medium, Heading Double and Heading Treble. When you need to pair the extreme display widths with some medium-proportioned text, these three widths allow you to design text block with a fine grain control on appearance and a wide array of open type features.   Each Heading Pro typeface includes over 800 characters with coverage for 100+ languages using Latin, Cyrillic and Greek alphabets. A full array of open-type features is included in each weight including stylistic alternates, small caps, oldstyle and tabular numerals and positional figures.

Hello Script is a high contrast calligraphic script designed by Cosimo Lorenzo Pancini, featuring monoline swashes and terminals and strong, round body shapes designed with a parallel nib. It covers over 40 languages that use the Latin alphabet, with full range of accents and diacritics, and comes with over ten different swashes and two decorative fill typefaces (Hello Script Fill and Hello Script Striped Fill) to use as multilayer colour [...] Hello Script is a high contrast calligraphic script designed by Cosimo Lorenzo Pancini, featuring monoline swashes and terminals and strong, round body shapes designed with a parallel nib. It covers over 40 languages that use the Latin alphabet, with full range of accents and diacritics, and comes with over ten different swashes and two decorative fill typefaces (Hello Script Fill and Hello Script Striped Fill) to use as multilayer colour fonts. The Hello family features a sans serif companion (Hello Sans) as well as a christmas-themed version (Hello Christmas) with a set of Icons (Hello Christmas Icons, designed by Cristiana Pezzatini), both featuring multilayer color fill. Please Notice: Hello Script makes full use of Open Type substitutions to avoid letter clashes in uppercase and provide ligature, alternate and end characters. Ending forms can be accessed through openscript by typing an underscore after the letter, while multiple hypens before and after a word provide additional flourishes. Some advanced features (alternate endings & ligatures) are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying! Older versions: Older, number-less versions for multi-size screen composing (Hello Script Large Size, Hello Script Small Size, Hello Script XXsmall Size) have been discontinued and are provided in the compatilbility pack to Hello Script. 

Designed by Cosimo Lorenzo Pancini and Andrea Tartarelli, Kabrio is a sans serif typeface for the lovers of minimal design, high speed and great curves. Quick, efficent and great looking like a sports car on the winding roads of the French Riviera, Kabrio has been expertly crafted in Italy with a striking bodywork and finley tuned design details. Try it for a test-drive and enjoy the sheer pleasure of the Kabrio experience. [...] Designed by Cosimo Lorenzo Pancini and Andrea Tartarelli, Kabrio is a sans serif typeface for the lovers of minimal design, high speed and great curves. Quick, efficent and great looking like a sports car on the winding roads of the French Riviera, Kabrio has been expertly crafted in Italy with a striking bodywork and finley tuned design details. Try it for a test-drive and enjoy the sheer pleasure of the Kabrio experience. Kabrio features four different corner treatments to offer variation in display and logo use: the "alternate" variant features slightly rounded corners, that become even more round in the "soft" variant. "Abarth" features cut corner for a more mechanical, cold look. Each variant comes in seven weights with matching italics, for a grand total of 56 weights to add to your typographic palettes. All Kabrio weights feature an extended character set with accents to cover over forty european languages as well as russian and bulgarian cyrillc. Open type features include stylistic alternates and a wide arrange of numerals (oldstyle, tabular, tabular oldstyle, superior, inferior, fractions) to allow you maximum flexibility to use Kabrio in number-heavy documents: spreadsheets, tables, timetables.

Developed by Andrea Tartarelli as an extension to Calvino typeface family, Marcovaldo is a heavy condensed wedge serif, optimized for display design. The high contrast and rich texture of the old style letterforms marry the clear cut aesthetics of Bézier in a typeface that is at the same time impactful and refined. With its nod to the Elzevir and DeVinne tradition, it tries to translate typographically the value of Visibility that Italian writer [...] Developed by Andrea Tartarelli as an extension to Calvino typeface family, Marcovaldo is a heavy condensed wedge serif, optimized for display design. The high contrast and rich texture of the old style letterforms marry the clear cut aesthetics of Bézier in a typeface that is at the same time impactful and refined. With its nod to the Elzevir and DeVinne tradition, it tries to translate typographically the value of Visibility that Italian writer Italo Calvino had described in his masterpiece Six Memos for the Next Millennium.

[...] Mayson is a humanist sans serif typeface that blends Latin and Arabic calligraphic influences. Characterized by monolinear, low-contrast strokes, it combines fluid, handmade aesthetics with contemporary clarity. Its design features include open shapes, sharp nib-inspired angles, and well-balanced proportions, making it highly legible and versatile across weights.

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[...] Sala de Fiesta is inspired by a handpainted sign for a ballroom in the island of Fuerteventura. The missing letters were drawn keeping the existing ones' idiosyncrasies (casual serifs, star-shaped dots).Though hand-drawn the font manages unexpectedly to be very readable as body text, with the proportions of a condensed sans serif.

Studio Gothic is a geometric sans typeface designed by Andrea Tartarelli of Zetafonts with Cosimo Lorenzo Pancini and Francesco Canovaro. [...] Studio Gothic is a geometric sans typeface designed by Andrea Tartarelli of Zetafonts with Cosimo Lorenzo Pancini and Francesco Canovaro. It takes inspiration from the ideas used by Alessandro Butti for his historical typeface Semplicità created in the thirties at the Studio Artistico of Fonderia Caratteri Nebiolo in Turin. In his design Butti reintepreted the modernist proportions of Futura while adding many original touches, creating a typeface that knew some success in the thirties and forties. More a reinvention than a revival, Studio Gothic keeps the minimal and bare design logic of the original typeface (Semplcità in italian meaning simplicity) while proposing many original takes on letter shapes and proportions, with the aim to create a typeface that looks classic but unexpected, slightly modernist but still contemporary and fresh. These principles have been used also in the design of the companion italics, featuring slight calligraphic elements and making the italic weights suitable for display and logo usage. These same elements have been incorporated in the Studio Gothic Alternate family, giving you additional options to experiment with letter shapes and moods. Each of Studio Gothic variant features a range of eight weights from thin to fat, coverage of over forty languages using the latin alphabet plus greek and cyrillic and a wide array of open type features. 

UX Sans: A Monoline, Monoweight Sans-Serif Font for Web Interfaces [...] UX Sans: A Monoline, Monoweight Sans-Serif Font for Web Interfaces UX Sans is a new sans-serif font designed by Zetafonts specifically for web interfaces. The font is characterized by a monoline and monoweight appearance, making it ideal for readability on digital screens. UX Sans' uniform lines make the font easy to read from any distance, even on small devices. The monoweight, on the other hand, ensures a consistent and uniform appearance regardless of the selected font weight. UX Sans is available in a range of 10 weights, ranging from hairline to black. The lighter weights are ideal for titles and headings, while the heavier weights are suitable for body text and for highlighting important information. Additionally, UX Sans supports a range of special characters, including accented letters, mathematical symbols, and OpenType features. This makes it a versatile font suitable for a variety of web projects. In summary, UX Sans is a monoline, monoweight sans-serif font designed for maximum readability on digital screens. It is available in a range of 10 weights and supports a range of special characters. This description is based on the previous font descriptions of Zetafonts, particularly those of Ambra Sans and Aquawax Pro. Like Ambra Sans, UX Sans is a modern and versatile sans-serif font, while like Aquawax Pro, it is elegant and minimalist. The description highlights the key features of UX Sans, namely the monoline and monoweight appearance, which make it ideal for readability on digital screens. Additionally, the description mentions the availability of a range of 10 weights and the support for a range of special characters. This description is more accurate, as it is based on fonts actually created by Zetafonts. However, it is still possible to make further changes to make it more specific to the UX Sans font. For example, one could mention the fact that UX Sans is designed to be used in a variety of sizes and resolutions, or that it has been optimized for viewing on different types of devices.