A Day Without Sun is an ultra-condensed version of Panforte, created by Cosimo Lorenzo Pancini based on the design of Debora Manetti for Panforte. Hand drawn in easy big strokes, its an extremely condensed typeface that allows you to typeset text in faux-handamade fashion, with the subtle elegance of vintage handlettered menus. Lovers of world cuisine will be delighted to discover that it supports over forty languages using the latin alphabet, spiced with hand-picked diacritics and comes also with a tasty side dish of greek and cyrillic characters.Its grungy, handmade characteristics are visible at medium and high point sizes but do not impact the effect of the font when set in text. A Day Without Sun open type features include small case characters, oldstyle numerals and a series of ligatures that help keeping the distinctive handmade look (they can be switched off by unchecking the “standard ligatures” option in your design software). A Day Without Sun includes some special ligature dingbats, accessible by typing the corresponding sequence of characters: please refer to the specimen for a guide to typing.

Aliens and Cows is an ultra condensed sans serif display typeface designed by Francesco Canovaro. Inspired by the title cards of 1980's science fiction movies, it features thin letterforms with a ultra wide spacing - perfect for minimal logo design and editorial display use. It features sci-fi themed alternates as well a set of lined small caps and word ligatures, and covers over forty languages using the latin alphabet as well as greek and cyrillic.

Anaphora is a contemporary serif typeface designed by Francesco Canovaro with Cosimo Lorenzo Pancini and Andrea Tartarelli.

It features a wedge serif design with nine weights from thin to fat, each with true italics style, for a full range of editorial and advertising uses. 

Its wide counters and low x-height make it pleasant and readable at text sizes while the uncommon shapes make it strong and recognizable when used in display sizes. 
Four additional stencil weights provide options for fancy titling and logo creation.

Anaphora features an extended character set that covers over forty languages using the latin alphabet, as well as Greek and Russian Cyrillic. Open type features include small caps, four sets of figures, fractions, superior & inferior figures, alternate forms and discretionary ligatures.

Its shapes are defined by rough, wide brushstrokes, slightly rounded in corners to mimic the feel of a real handwritten casual script.

Arturo is a sans serif family designed by Francesco Canovaro as part of his research in the digital reinvention of handmade brush lettering.

Marrying a fun, playful approach to letterforms to the versatility of a text family with multiple weights and advanced features, Arturo comes in seven weights with matching italics, and sports a wide array of OpenType features including stylistic alternates, small caps and discretionary ligatures (providing options for display usage and fine-tuning in logo design) as well as more offbeat features as ordinals, superior and inferior numerals, tabular, lining and oldstyle figures and OpenType-generated fractions. 

The family is complemented with a outline version that can be used on its own or together with the heavy weight  for multilayer color font inventions.

Cinematografica is an Ultra Condensed Small Caps typeface created by Francesco Canovaro, developing his previous "Aliens & Cows" Typeface and used in the advertising campaign for Lucca Comics 2017 Festival. The family features seven weights from thin to heavy with open type alternate glyphs and some full word ligatures (accessible by typing an underscore after words like "and", "or", "the"). Cinematografica extra narrow width allow for extreme space-saving situations like movie posters and screen infographics.

Coco Gothic is a contemporary take on the retro geometric sans serif style of early XX century typefaces like Futura and Avantgarde. The cold, geometric shapes typical of those modernism typefaces have been made softer and more contemporary by visual corrections and slightly rounded corners and a minimalistic design feel. The name of the typeface family comes from the nickname of fashion beloved icon Coco Chanel.

It comes in six weights with matching italics and features an extended character set with open type support for small caps, ligatures, alternates, European languages, Greek and Cyrillic alphabets. In 2017 a revised version was released, including 12 alternate and 12 smallcaps weights for a total of 36 fonts ready to solve your design problems.

Equipped with a rich array of historical variants, Coco Gothic is also an encyclopedia of styles from the last century, ready to transform itself and adapt to the mood of your text. You can check a visual presentation of this type family on our Behance Coco Gothic Page.

Please notice: All advanced features (small caps, alternate sets & ligatures) are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Historical variants included only for uppercase letters, and avalaible in Indesign / Photoshop through stylistic sets and in illustrator through Glyph Window. Download trial version and check your configuration before buying.

COCOBIKER is a typeface variant from the COCO GOTHIC family.  It’s inspired by contemporary grotesque typefaces, with a runic mood, geometric proportions and ultraconnected geometry. A sans serif font dedicated to hipster culture and bike lovers, it has been designed as a display Small Caps typeface, but it’s still readable in text blocks.

It comes in five weights and features an extended character set with support for European languages, Greek and Cyrillic alphabets, and open type support for ligatures, and special dingbats and symbols.

COCOMAT is a typeface variant from the COCO GOTHIC family of sans serif geometric typefaces. It’s inspired by the style of the twenties and the visions of italian futurists like Fortunato Depero, Giacomo Balla and Antonio Sant’Elia. It’s a typeface about the future as imagined in a period of great faith in technology and progress. It comes in five weights and features an extended character set with open type support for small caps, ligatures, European languages, Greek and Cyrillic alphabets.

COCOSIGNUM takes inspiration from the typography of the italian thirties.

The imperial uppercase with its propaganda deco overtones is softened by a cursive lowercase geometric script in the Corsivo Italico version.

It comes in two styles and five weights, covering over forty languages using latin alphabet, as well as greek and cyrillic.

Cocotte is a small caps sans serif display typeface inspired by the graphic style of early art nouveau. It comes in three weights with matching italics and features a regular style, inspired by arts&crafts and geometric jugendstil, and an alternate style more reminescent of french and italian art nouveau.

Cocotte and Cocotte Alternates are the 1900 and 1910 versions of the Coco Gothic typeface family, a contemporary geometric sans serif typeface with slightly rounded corners featuring historical versions for each decade of the last century: an encyclopedia of styles ready to transform itself and adapt to the mood of your text. Cocotte features an extended character set with support for over forty European languages and Greek and Cyrillic alphabets.

Florentia is a humanist sans-serif typeface designed by Francesco Canovaro, designed developing his Beatrix Family design. Florentia takes its inspiration from the classic Roman monumental capital model of Beatrix but developes the influences derived from the stone carvings in Florence Santa Croce Cathedral into a more contemporary overall design, featuring lower X-height and an extended character set that covers over fourty languages using the latin alphabet, as well as Greek and Russian Cyrillic.

Hello Script is a high contrast calligraphic script designed by Cosimo Lorenzo Pancini, featuring monoline swashes and terminals and strong, round body shapes designed with a parallel nib. It covers over 40 languages that use the Latin alphabet, with full range of accents and diacritics, and comes with over ten different swashes and two decorative fill typefaces (Hello Script Fill and Hello Script Striped Fill) to use as multilayer colour fonts.

The Hello family features a sans serif companion (Hello Sans) as well as a christmas-themed version (Hello Christmas) with a set of Icons (Hello Christmas Icons, designed by Cristiana Pezzatini), both featuring multilayer color fill.

Please Notice: Hello Script makes full use of Open Type substitutions to avoid letter clashes in uppercase and provide ligature, alternate and end characters. Ending forms can be accessed through openscript by typing an underscore after the letter, while multiple hypens before and after a word provide additional flourishes. Some advanced features (alternate endings & ligatures) are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

Older versions: Older, number-less versions for multi-size screen composing (Hello Script Large Size, Hello Script Small Size, Hello Script XXsmall Size) have been discontinued and are provided in the compatilbility pack to Hello Script. 

Morbodoni is a contemporary redesign of the ultrafat bodni typefaces. It features rounded corners and slightly fatter serifs that allow for lower contrast, better web rendering and a softer look. It's part of the Fonticio Typeface Family, designed to provide a serif typeface with display capabilities but good text rendering both offline and online.

Studio Gothic is a geometric sans typeface designed by Andrea Tartarelli of Zetafonts with Cosimo Lorenzo Pancini and Francesco Canovaro.

It takes inspiration from the ideas used by Alessandro Butti for his historical typeface Semplicità created in the thirties at the Studio Artistico of Fonderia Caratteri Nebiolo in Turin. In his design Butti reintepreted the modernist proportions of Futura while adding many original touches, creating a typeface that knew some success in the thirties and forties.

More a reinvention than a revival, Studio Gothic keeps the minimal and bare design logic of the original typeface (Semplcità in italian meaning simplicity) while proposing many original takes on letter shapes and proportions, with the aim to create a typeface that looks classic but unexpected, slightly modernist but still contemporary and fresh. These principles have been used also in the design of the companion italics, featuring slight calligraphic elements and making the italic weights suitable for display and logo usage. These same elements have been incorporated in the Studio Gothic Alternate family, giving you additional options to experiment with letter shapes and moods.

Each of Studio Gothic variant features a range of eight weights from thin to fat, coverage of over forty languages using the latin alphabet plus greek and cyrillic and a wide array of open type features.